CHARACTER SKETCH OF DAENERYS
**************SPOILER
ALERT********************
Introduction
Many a times
I face dilemma while reviewing literary works. Whether I should give primacy to
plot, or to characterization. And this confusion is mostly resolved by looking
at the content to be reviewed. There are novels like Great Expectations by Charles Dickens, where major characters play
little or no role in events. They just go with the flow of externally triggered
events. And then there are works of Shakespeare or Victor Hugo, where
characters often drive the plot. In such literature it makes sense to analyze
characterization first. Game of Thrones is
clear case of Romantic literature, plot driven by choices of characters. Converse
being Naturalism of Dickens, and also some of the early 20th century
writers like Ernest Hemmingway.
Having
understood the key theme of this webseries, understanding
characters becomes relatively simple. We need to separate out and classify motivations,
and connect these to key actions. So connecting the threads of motivations,
actions, and events, forms the essence of characterization. With this objective
in mind, we begin the review of various characters of webseries.
Character Sketch of Daenerys
Looking at
overall trajectory, she is one of the most well written characters. Moving from
timid girl being pushed around, to the most powerful person in the world. Apart
from the first episode, liberating people from slavery and plunder is her primary
motivation. This is visible in various events, ranging from treatment to
Dothraki captives to unsullied or slaves of Yunki and Mareen. Judging by the
punishments she gives, from witch who sent Khal to comma, and also punishments
to various slave owners for their brutalities. It’s clear that her love for
liberty is driven by deep sense of Justice, rather than benevolence being an
out of context absolute.
It is this
purpose to liberate that determines her emotions also. So her emotion towards
lovers also changes, depending on how connected they are to this purpose.
Ranging from relatively weak feelings towards Daario Naharis of second sons, to
quite strong ones towards Jon Snow. Khal Drogo, while antithesis of her
principles, still commands her passion. Because at that time she is unsure of
her true potentialities, since there are no Dragons with her. But as her growth
in Season 1 itself shows, she applies reason to liberate her own soul first of
all. Taking control of her intercourse with Drogo. Few impulsive decisions like
burning Tarlys apart, she comes out as a rational person in her interactions,
strategies, and selection of advisors.
One major
troubling aspect in her character, and all relatively good people like Jon,
Arya, Stannis etc. It is the role of supernatural in their rise. Daenerys is
not harmed even after having contact with the extreme heat. Given the nature of
biological beings, they are not capable of synthesizing fire within themselves.
So Dragons also can be considered as supernatural. Though one can redeem this
supernatural aspect to some extent, considering how dragons were raised,
had many natural qualities similar to how children are raised.
So in that
sense, writer is conveying that without aid of supernatural, good has no chance
in this world. And by implication, to succeed in the natural world we live in,
one has to deal with others through threats and force. Being dishonest and
manipulative like Peter Baelish and Cersei. But the reality is that without honest
thoughts a productive person will neither build efficient factory, nor select
committed people. Survival of humans depend on fidelity towards facts of
reality.
Conclusion
being that character of Daenerys is good because of her full commitment to the
principle of Liberty, and also trying her best to be rational. But if Dragons
or their material counterparts like the jet planes were product of natural
knowledge rather than supernatural, she would have been a perfect idol to
emulate. Very much like Dagny Taggart, John Galt, Howard Roark, or Jean Valjean
from classic Romantic literature.
Acting in the webseries
Daenerys is
played by Emila Clarke. The skills here required great transformation
of a person, but in subtle steps. This in turn required constant reinvention of
sensibilities and corresponding expressions. The character has been accurately
portrayed in this regard. Unlike negative powerful characters like Cersei and
Eujon, who could afford to be reckless, Daenerys had to be less expressive. And
should be seen as holding her calm even in desperate situations. This makes
Emila a natural fit, despite limited acting abilities.
In Acting of
Jon Snow part, I will explain further why there is limited room for
expressiveness for these two. And why this is bad!
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